Schwendener, Martha; Heinrich, Will; Gopnik, Blake. “What to See in N.Y.C.” The New York Times,  2 May 2024.(PDF)

Schwabsky, Barry. “Enrique Martínez Celaya: Hispanic Society Museum and Library.” Artforum,  October 2024.(PDF)

Nys Dambrot, Shana. “Painter Enrique Martínez Celaya and the Hero’s Journey.” The Village Voice,  1 July 2024.(PDF)

Kinsella, Eileen. “Enrique Martínez Celaya’s Studio Is a Monastic Laboratory Where Art, History, and Science Percolate.” Artnet,  8 May 2024.(PDF)

Villa, Alberto. “Poetry in Painting. The exhibition of Enrique Martínez Celaya in Venezia.” Artribune,  8 July 2024.(PDF)

Piejko, Jennifer. “PORTRAIT OF THE ARTIST.” Art Basel,  December 2023.(PDF)

“Enrique Martínez Celaya at Museo Marino Marini.” Elitism,  June 2023.(PDF)

Carandini, Andrea. “L'epoca del nostro scontento.” Corriere della Sera,  2 April 2023.(PDF)

Berti, Elisabetta. “The Art of Martínez Celaya, Enigmas to be Interpreted.” La Repubblica Firenze,  1 April 2023.(PDF)

Lee, Irene Lyla. “Enrique Martínez Celaya: The Foreigner's Song.” The Brooklyn Rail,  12 October 2022.(PDF)

Popęda, Agata. “Power of Place: Moved by poetry, artist Enrique Martínez Celaya presents his own take on Robinson Jeffers and the art of exile.” Monterey County Weekly,  19-25 May 2022: 28-30.(PDF)

Slenske, Michael. “The Wanderer.” Los Angeles Magazine, 2022.(PDF)

Moret, A. “The Four Quartets of Los Angeles: Enrique Martínez Celaya Defines a New Border.” Installation Magazine,  21 March 2022.(PDF)

Ollman, Leah. “With four L.A. shows, Enrique Martínez Celaya displays the breadth of this artistic range.” Los Angeles Times,  3 March 2022.(PDF)

Griffin, Jonathan. “Enrique Martínez Celaya takes over Los Angeles.” The Art Newspaper,  17 February 2022.(PDF)

“Mi nombre es Nadie: Una obra con muchos nombres.” Vogue México,  January 2022.(PDF)

Meixner, Christiane. “Käthe Kollwitz reloaded: Vom Leben geduckt.” Der Tagesspiegel,  5 April 2021.(PDF)

Ruthe, Ingeborg. “Painting for Käthe Kollwitz.” Berliner Zeitung,  24 March 2021.(PDF)

“Enrique Martínez Celaya with Eleanor Heartney.” The Brooklyn Rail,  March 2021.(PDF)

Collins, Bianca. “Paths of Gold: Enrique Martínez Celaya Takes the Road Less Traveled.” Artillery,  5 November 2019.(PDF)

Barrie, Lita. “Enrique Martínez Celaya’s The Tears of Things.” Riot Material,  21 October 2019.(PDF)

Moret, A. “The Tears of Things.” Installation Magazine,  September 2019.(PDF)

Nys Dambrot, Shana. “Enrique Martínez Celaya: The Universal Theory of Everything is Propped on a Pedestal.” Flaunt,  13 September 2019.(PDF)

Lucie-Smith, Edward. “Enrique Martínez Celaya: Mariner’s Meadow.” Artlyst,  13 July 2019.(PDF)

Wei, Lilly. “Enrique Martínez Celaya: The Boy: Witness and Marker 2003-2018.” The Brooklyn Rail,  February 2019.(PDF)

Smith, Nicola. “Dartmouth Hosts a Painter in Pursuit of Discoveries.” Valley News,  May 2017.(PDF)

Brown, Liz. “Enrique Martínez Celaya.” Elle Decor,  April 2017.(PDF)

Can Yerebakan, Osman. “Enrique Martínez Celaya: The Gypsy Camp.” Artspeak,  March 2017.(PDF)

Little, Carl. “One-on-One: Enrique Martínez Celaya/Albert Pinkham Ryder, at the Phillips Collection.” Hyperallergic,  March 2017.(PDF)

Cain, Hector. “Self and Sea by Enrique Martínez Celaya delves into the Depths of Portraiture at Parafin Gallery.” Widewalls, May 2016.(PDF)

Moret, A. “Lone Star - Part 1: An Investigation of Thought.” Installation Magazine, April 2015.(PDF)

Moret. A “Lone Star - Part 2: A Meditation on duration.” Installation Magazine, May 2015.(PDF)

Slenske, Michael. "The Prophet." Modern Painters, April 2015: 62-67.(PDF)

Ollman, Leah. "Windows to the Soul." Los Angeles Times, 11 April 2015: E2.(PDF)

Ostrow, Saul. "Enrique Martínez Celaya: The Miami-based artist discusses exile, violence, philosophy, and literature." BOMB, 22 April 2014.(PDF)

Matos, Dennys. "Enrique Martínez Celaya: Al Borde del Camino." El Nuevo Herald, 05 January 2014.(PDF)

Reed, Arden. "Enrique Martínez Celaya: SITE Santa Fe." Art in America, October 2013.(PDF)

Honigman, Ana Finel. "Enrique Martínez Celaya: The Pearl.” Artforum, August 2013.(PDF)

Raskin, David. “Enrique Martínez Celaya: From the Cliché to the Archetype.” Arte al Día, Issue 143: 60-67.(PDF)

Wood, Eve. “Enrique Martínez Celaya: L.A. Louver.” Artillery, March/April 2013: 47.(PDF)

Ollman, Leah. “Enrique Martínez Celaya art of displacement and longing.” Los Angeles Times, November 2012.(PDF)

Persman, Joanna. "Längtan i exil blir en fullträff." Svenska Dagbladet, 13 September 2012: 6.(PDF)

Shaw, Anny. “Hermitage buys Martínez Celaya’s first video.” The Art Newspaper, No. 231, January 2012: Page 6.(PDF)

Wolff, Rachel. “Miami Ice: A View of Beethoven.” The Wall Street Journal, 28 October 2011.(PDF)

Gibson, Prue. “Seductive fictions: Enrique Martínez Celaya.” Art Monthly, May 2011.(PDF)

McDonald, John. “From the Heart.” The Sydney Morning Herald, 7 May 2011.(PDF)

Ollman, Leah. “Works by Martínez Celaya are on view at Sara Meltzer Gallery, New York, through Mar. 28.” Art in America, March 2009.(PDF)

Finkel, Jori. "Layers of Devotion (and the Scars to Prove It)." The New York Times, 23 November 2008.(PDF)

Damian, Carol. "Enrique Martínez Celaya: The Rhythms of Life." ArtNexus, 2007: No. 67, Volume 6.(PDF)

Siedell, Daniel A. "Enrique Martínez Celaya: Coming Home Before and After Schneebett." artUS, January/February 2007: 10-13.(PDF)

Platt, Susan. "Enrique Martínez Celaya, Seattle." Art Papers, July/August 2006: 69-70.(PDF)

Finkel, Jori. "Enrique Martínez Celaya, Griffin Contemporary." ARTnews, May 2006: 175.(PDF)

Turner, Elisa. "Prince of Darkness." The Miami Herald, 7 March 2004: Section M, 3-5.(PDF)

Ollman, Leah. "In a silent season." Art In America, May 2003: 132-137.(PDF)

Breidenbach, Tom. “Enrique Martínez Celaya.” ArtForum, February 2001: 155.(PDF)

Martínez Celaya. Work and Documents 1990-2015. (Santa Fe: Radius Books), 2016. Essay by Daniel A. Siedell with texts by Matthew Biro, Peter Boswell, Michael W. Darling, John Felstiner, Ivan Gaskell, Thomas McEvilley, Charles Merewether, Frances K. Pohl, Mary Rakow, Michael Slenske and Abigail Solomon-Godeau. 400 pages, 293 illustrations in color, Hardcover with jacket.

Enrique Martínez Celaya. Working Methods/Métodos de trabajo. (Barcelona: Ediciones Polígrafa), 2012. Text by Mary Rakow and Matthew Biro with a conversation between Leo A. Harrington, Mary Rakow and Enrique Martínez Celaya. 168 pages, 106 illustrations in color, Hardcover.

Martínez Celaya. Early Work. (Delray Beach, Florida: Whale & Star Press), 2006. Text by Daniel A. Siedell, Thomas McEvilley, Christian Williams, Enrique Martínez Celaya and John Felstiner. 392 pages, 315 illustrations in color, Hardcover.

Enrique Martínez Celaya 1992-2000. (Cologne, Germany: Wienand Verlag), 2001. Texts in English and German by Charles Merewether, Abigail Solomon-Godeau, Howard N. Fox, Rosanna Albertini, Judson J. Emerick, Arden Reed and Colette Dartnall. 282 pages, 99 color and 90 black and white illustrations, Hardcover.

Enrique Martínez Celaya: The Sea Memory (Lost and Found). (New York: Miles McEnery Gallery), 2023. Texts by Alexander Nemerov, and Enrique Martínez Celaya; interview with Barry Schwabsky and Enrique Martínez Celaya. 48 pages, 22 illustrations, Hardcover.

Enrique Martínez Celaya: The Foreigner's Song. (New York: Miles McEnery Gallery), 2022. Text by Leah Ollman. 44 pages, 19 illustrations, Hardcover.

Enrique Martínez Celaya and Robinson Jeffers: The Fire of Heaven. (Berlin: Hatje Cantz), 2022. Texts by Corey Madden, Elliot Ruchowitz-Roberts, Shana Nys Dambrot, and Enrique Martínez Celaya; poetry by Robinson Jeffers. 144 pages, 124 illustrations, Hardcover.

Enrique Martínez Celaya, SEA SKY LAND: towards a map of everything. (Berlin: Hatje Cantz), 2021. Texts by Selma Holo, Susan M. Anderson, Alexander Nemerov, Ed Schad, and Elizabeth Prelinger; poetry by Mark Irwin and David St. John; and interview with Enrique Martínez Celaya. 192 pages, 104 illustrations, Hardcover.

Enrique Martínez Celaya and Käthe Kollwitz: Von den ersten und den letzten Dingen. (Berlin: Hatje Cantz), 2021. Texts by Juerg Judin, Pay Matthis Karstens, Dr. Anita Beloubek-Hammer, Dr. Gudrun Fritsch, and Enrique Martínez Celaya. 155 pages, 52 illustrations, Hardcover.

Enrique Martínez Celaya: The Mariner's Meadow. (London: Blain|Southern), 2019. Texts by Barry Schwabsky, Anouchka Grose, and Enrique Martínez Celaya. 155 pages, 52 illustrations, Hardcover.

Enrique Martínez Celaya: The Other Life. 2018. Text by Enrique Martínez Celaya. 82 pages, 32 illustrations. Digital catalog.

Enrique Martínez Celaya: The Pearl. (Santa Fe, New Mexico: Radius Books), 2013. Text by Irene Hofmann. 320 pages, 160 color illustrations, Hardcover with jacket.

Enrique Martínez Celaya: The Tower of Snow. (Miami, Florida: Whale & Star Press and Miami Dade College), 2016. Text by Dr. Eduardo J. Padrón, Carlos Eire, and Jeremy Mikolajczak. 124 pages, 55 color illustrations, Hardcover.

Enrique Martínez Celaya: El Cielo de Invierno. (Barcelona, Spain: Galeria Joan Prats), 2012. Text by Daniel A. Siedell; translated in Spanish, English and Catalan. 40 pages, 16 illustrations, Softcover.

Martínez Celaya: Selected Work / Obra Selecta 1992 – 2010. (Miami, Florida: Gary Nader Fine Art), 2010. Text by Carol Damian and Lisa Tamiris Becker. 180 pages, 50 illustrations, Hardcover.

The Wanderer: Foreign Landscapes of Enrique Martínez Celaya. (New York, New York: Museum of Biblical Art), 2010. Text by Ena G. Heller, Ivan Gaskell and Daniel A. Siedell. 80 pages.16 illustrations. Softcover.

The Palace. (Aspen, Colorado: Baldwin Gallery), 2009. Text by Enrique Martínez Celaya. 63 pages. 18 illustrations. Softcover.

Daybreak. (Venice, California: LA Louver Gallery, 2009. Text by Enrique Martínez Celaya. 55 pages. 22 illustrations. Hardcover.

The Lovely Season. (Sydney, Australia: Liverpool Street Gallery), 2008. Text by Enrique Martínez Celaya. 63 pages. 29 illustrations. Softcover.

Nomad. (Delray Beach, Florida: Miami Art Museum in collaboration with Whale & Star Press), 2007. 128 pages. 56 illustrations. Hardcover.

Another Show for the Leopard. (Aspen, Colorado: Baldwin Gallery), 2007. 96 pages. 66 illustrations. Hardcover.

Six Paintings on the Duration of Exile. (Taura, Japan: Akira Ikeda Gallery), 2007. 24 pages, 8 illustrations, Softcover.

Shore: Is today yesterday. (Berlin, Germany: Akira Ikeda Gallery), 2006. Text by Enrique Martínez Celaya. 42 pages, 29 illustrations, Softcover.

Poetry in Process. (Boulder, Colorado: CU Art Museum), 2004. Text by Lisa Tamiris Becker. 112 pages, 64 color illustrations, Hardcover.

All the Field is Ours. (Santa Monica, California: Griffin Contemporary), 2003. Text by Thomas McEvilley. 60 pages. 34 illustrations. Softcover.

The October Cycle: 2000-2002. (Seattle, Washington: Marquand Books in association with Sheldon Memorial Art Gallery and Sculpture Garden, University of Nebraska-Lincoln), 2003. Text by Daniel A. Siedell. 96 pages, 22 illustrations, Hardcover.

Pinturas de Merced. (Monterrey, Mexico and New York: Galeria Ramis Barquet), 2000. Text by Charles Merewether. 54 pages. 22 illustrations in color. Softcover.

Enrique Martínez Celaya and Robinson Jeffers’ Tor House: The Beauty of Things. 2022. Film by Gabriela Martínez Celaya, created on the occasion of Enrique Martínez Celaya's Fellowship with the Robinson Jeffers Tor House Foundation. 12 minutes. Color.

Enrique Martínez Celaya: Nieve en el portal. (Spain: Vangui Films, in collaboration with the Havana Biennial and Detrás del Muro), 2019. Directed by Guillermo Barberá. Filmed in Cuba and the United States. 30 minutes. Color.

Enrique Martínez Celaya: Home Movies. (Los Angeles, California: East Wind Productions), 2009. Filmed and edited by Christian Williams. 50 minutes. Color.

Consider This: Enrique Martínez Celaya. (Omaha, Nebraska: UNO Television), 2008. 30 minutes. Color.

Enrique Martínez Celaya: Studio Days. (Venice, California: Media Art Services), 2001. Filmed and edited by Peter Kirby. 30 minutes. Color.

Enrique Martínez Celaya: Schneebett. (Miami, Florida: Common Machine), 2011. Filmed and edited by Jorge Rubiera. 9 minutes. Color.